Book chapter, 2025
MishMash Projects
Other projects
Latest results
Book chapter
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Book chapter, 2025
Live Coding the Lineage
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Book chapter, 2025
Where to Put That Microphone? A Study of Sound Localization in Ambisonics Recordings
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Book chapter, 2025
MAAL: a multi-agent autonomous live looper for improvised co-creation of musical structures
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Book chapter, 2025
VentHackz: Exploring the Musicality of Ventilation Systems
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Book chapter, 2024
The Hyper-Ney: An Enhanced Traditional Flute
Journal article
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Journal article, 2026
Autonomous Listening-Based Synthesizer Control with Reinforcement Learning for Live Sound Matching
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Journal article, 2026
Inverse and indirect mappings in embodied AI systems in everyday environments
This paper explores how musicking technologies—interactive systems with musical properties—can enhance everyday public environments. We are particularly interested in investigating the effects of musical interactions in non-musical settings, such as offices, meeting rooms, and social work areas. Traditional music technologies (such as instruments) are built for goal-directed, conscious, and voluntary interactions. We propose a new perspective on embodied AI through systems that utilize indirect, inverse, unconscious, and, at times, involuntary interactions. Four different sound/music systems are examined and discussed with regard to their activity level: a reactive “birdbox,” a reactive painting, active self-playing guitars, and interactive music balls. All these systems are multimodal, containing sensors that detect various physical inputs to produce sound and light, and having varying levels of perceived agency. The paper explores differences between direct/indirect and regular/inverse embodied AI paradigms. This study demonstrates how minimalistic interactions have the potential to yield complex and engaging musicking experiences, challenging the norms of overly intricate AI implementations.
Conference
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Conference poster, 2025
A Sensor is not a Sensor: Diffracting the Preservation of Sonic Microinteraction with the SiFiBand
Non-fiction chapter
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Non-fiction chapter, 2025
From Knobs to Whole Body: Dance with Feedback